Two questions were perennially posed in the news section of the weekly UK music papers that sprang up in the 70s following The Beatles’ demise as the 60s climaxed: would Elvis ever come to play the UK, and would The Beatles re-form?
White’s unrevealing history relies heavily on previously acclaimed (Ian MacDonald) and derided (Howard Sounes) sources. Former weekly music paper writers and Lennon/McCartney fellow travellers (such as the effusive Jim Keltner) are interviewed to add to fanciful but slim speculation on the long distant possibility.
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Possible reunion fever peaks around 1974/’75, coinciding with Lennon’s Lost Weekend and his Young Americans hook-up with Bowie. This is when White’s highly selective reading of the runes is at its most fevered. The momentum is welcome after the discursive but well-worn analysis of the pair’s professional and personal relationship, allowed by the April ’73 release of the Red and Blue compilations.
With dull predictability, at least one of the factors that led to Lennon’s Beatles exit is invoked when Yoko Ono is put in the frame as the guilty woman. Much speculation is stoked around a smoking cure John takes at Yoko’s instruction when the Lost Weekend ends. If only he’d stayed with May Pang, the lads all agree, it would have happened.
Little coverage is given to the possibility that the reason the greatest writers of their generation didn’t formalise a return was an innate realisation that their best work was always going to be behind them. Due diligence aside, Come Together hardly adds to the store of already accrued Fabs knowledge and insights.