You can trust Louder
As if to remind the world that progressive metal doesn’t necessarily have to owe a debt to Dream Theater, Meshuggah or Opeth, Godsticks’ brooding perversity has been picking up converts in the prog world for a while now, but Emergence marks a significant march into heavier territory.
It suits the trio well, their gift for obtuse grooves that churn with sweet dissonance sounding more akin to the thudding, harmony-dense blues of King’s X or Alice In Chains at their most languorous and bleak. Much Sinister and Hopeless Situation boast big choruses, but the melodies are insidious, slow-release affairs that skim across the surface of chords and syncopations that bring to mind a funkier Voivod, or Devin Townsend on a King Crimson kick.
Those comparisons are just meant to tempt the cautious, but the reality is that Godsticks have such a strong identity and so many ingenious riffs that Emergence stands to dazzle anyone that prefers imaginative, soulful or weird heavy music to joyless, generic swill.
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Dom Lawson began his inauspicious career as a music journalist in 1999. He wrote for Kerrang! for seven years, before moving to Metal Hammer and Prog Magazine in 2007. His primary interests are heavy metal, progressive rock, coffee, snooker and despair. He is politically homeless and has an excellent beard.
