Black Moth at Hoxton Square Bar & Kitchen, London - live review

The Gospel - live

Crowd shot

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Things are going well for Black Moth. Performing to a full and willing crowd, new guitarist Frederica Gialanze provides a steady mix of doomy riffs and psychedelic wig-outs while frontwoman Harriet Bevan leads the band with a controlled swagger. Then, four songs in, drummer Dom McCready “explodes” his snare drum, leading the band to call a sharp halt. It’s a setback they struggle to recover from. The second half of the set lacks definition, with the nuances lost to muddy sound. That said, it’s difficult for a band to be boring when fronted by someone as charismatic as Harriet, and then there’s the gleeful double-axenoodling, the synchronisedheadbanging and the fan-favourite Looner made all the more special by the author of the poem which inspired it being here tonight. Anyone can have a bad night; not everyone can battle through it with the crowd still onside. That Black Moth manage it with breezy aplomb is further proof as to why they’re a firm underground favourite.

Briony Edwards

Briony is the Editor in Chief of Louder and is in charge of sorting out who and what you see covered on the site. She started working with Metal Hammer, Classic Rock and Prog magazines back in 2015 and has been writing about music and entertainment in many guises since 2009. She is a big fan of cats, Husker Du and pizza.