Arbouretum - Song Of The Rose album review

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Cover art for Arbouretum - Song Of The Rose album

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Eight albums along and this Baltimore quartet’s folk-rock project plunges deeper into the mystic. With roots in the modern Americana of Bonnie Prince Billy and Cass McCombs, but with an eye on Western philosophy, Eastern spiritualism and a love of Mother Nature, Song Of The Rose is one of those tasteful slow-burners that often blossoms into transcendental art.

It’s no surprise to learn that founder/ guitarist Dave Heumann practises Tai Chi: Arbouretum’s trademark stately pace mirrors that discipline’s mindful deliberation and makes for a particularly satisfying underpinning when the bigger, improvisational wig-outs descend.

Often (rightly) compared to Richard Thompson-era Fairport Convention, Heumann’s restraint – and that of his band – is commendable. Where a fug of overdriven psychedelic effects could overwhelm the message and the music – particularly on the ritualistic Call Upon The Fire and the exquisitely trippy Absolution Song – he instead maintains subtlety, style and superb songcraft in a slow movement that’s all his own.

Jo Kendall

Jo is a journalist, podcaster, event host and music industry lecturer who joined Kerrang! in 1999 and then the dark side – Prog – a decade later as Deputy Editor. Jo's had tea with Robert Fripp, touched Ian Anderson's favourite flute (!) and asked Suzi Quatro what one wears under a leather catsuit. Jo is now Associate Editor of Prog, and a regular contributor to Classic Rock. She continues to spread the experimental and psychedelic music-based word amid unsuspecting students at BIMM Institute London and can be occasionally heard polluting the BBC Radio airwaves as a pop and rock pundit. Steven Wilson still owes her £3, which he borrowed to pay for parking before a King Crimson show in Aylesbury.