Slayer did all they could for Hanneman - King

Slayer guitarist Kerry King says the band did all they could to save Jeff Hanneman from alcoholism.

He died in 2013, aged 49, following a two-year illness caused in part by his drinking, which was cited in his official cause of death. His health problems had increased after he contracted necrotising fasciitis in his arm in 2011 and he never returned to full-time Slayer duties.

He’s remembered in the title track of upcoming Slayer album Repentless, while his song Piano Wire also features on their first record without him.

King tells the Illinois Entertainer: “He had literally cheated death when he had that arm injury. The doctor told him, ‘First I’m going to try to save your life.’ We didn’t know if he was going to live.

“He got out of the hospital and he lived clean for a while. I’m like, ‘Dude, you just cheated death – you got another shot and doing this all over again. Let’s get you back on board playing some shows.’”

He continues: “I knew when he went into the hospital that last time, it was bad. I didn’t think he was going to come out of that particular episode, but I didn’t think it was going to be that quick.”

King recently told how Repentless track Chasing Death was written after the passing of his guitar tech. Now he adds that it was an attempt to persuade Hanneman to change his ways.

“You can’t make an addicted person get better if they don’t want to,” he says. “We did everything we were supposed to do – but that kind of personality… If they’re not strong enough to outwit it, then it’s going to happen how it happened.”

Repentless is released on September 11. Slayer are currently touring the US with a string of UK dates in November.

Freelance Online News Contributor

Not only is one-time online news editor Martin an established rock journalist and drummer, but he’s also penned several books on music history, including SAHB Story: The Tale of the Sensational Alex Harvey Band, a band he once managed, and the best-selling Apollo Memories about the history of the legendary and infamous Glasgow Apollo. Martin has written for Classic Rock and Prog and at one time had written more articles for Louder than anyone else (we think he's second now). He’s appeared on TV and when not delving intro all things music, can be found travelling along the UK’s vast canal network.