"Jimmy was different from every other session guy…"
Producer/musician John Carter recalls hiring the young Jimmy Page for his band.
Select the newsletters you’d like to receive. Then, add your email to sign up.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
Louder
Louder’s weekly newsletter is jam-packed with the team’s personal highlights from the last seven days, including features, breaking news, reviews and tons of juicy exclusives from the world of alternative music.
Every Friday
Classic Rock
The Classic Rock newsletter is an essential read for the discerning rock fan. Every week we bring you the news, reviews and the very best features and interviews from our extensive archive. Written by rock fans for rock fans.
Every Friday
Metal Hammer
For the last four decades Metal Hammer has been the world’s greatest metal magazine. Created by metalheads for metalheads, ‘Hammer takes you behind the scenes, closer to the action, and nearer to the bands that you love the most.
Every Friday
Prog
The Prog newsletter brings you the very best of Prog Magazine and our website, every Friday. We'll deliver you the very latest news from the Prog universe, informative features and archive material from Prog’s impressive vault.
“It must have been 1964. The personnel of my band, Carter-Lewis And The Southerners, was flexible, and we had a tour coming up but we didn’t have a proper band. Me and Ken Lewis knew Jimmy from sessions. We’d played together on [Dave Berry’s] The Crying Game, and we’d booked him for a few Carter-Lewis sessions, which he was brilliant on. So we asked him to join: ‘Yeah, why not?’
“I remember the first session I ever saw Jimmy on. He was eighteen or nineteen, a young lad. He wore normal sixties clothes. I don’t even remember his hair being long. We’d all meet round the corner from Decca Studios after sessions and go for a drink. We’d talk about music, the old blues guys, rock‘n’roll. He may have been quiet with blokes, but not with girls. I mean, I don’t want to give away any secrets.
“Jimmy was different from any other player going around. His invention was the best at that time. But he never took over on a session; no ego at all. He’d say: ‘What do you want?’ And we’d say: ‘Just make something up.’ Then he’d make up a solo which was absolutely fantastic. That was when you got the best out of Jimmy Page.
“What happened next? Sessions were getting very busy for him, and I think he wanted to concentrate on that, more than being on the road, because you earned a lot more money. The band broke up soon after. I really did think he’d go on to big things. I was pleased for him with Zeppelin, because he deserved to become famous. He was brilliant then, but with Zeppelin he just went higher and higher.
“For a while we kept in touch. I saw Jimmy again maybe four or five years ago, at an airport. We passed each other and we both just said: ‘Aha! It’s you!’
Sign up below to get the latest from Classic Rock, plus exclusive special offers, direct to your inbox!
Henry Yates has been a freelance journalist since 2002 and written about music for titles including The Guardian, The Telegraph, NME, Classic Rock, Guitarist, Total Guitar and Metal Hammer. He is the author of Walter Trout's official biography, Rescued From Reality, a music pundit on Times Radio and BBC TV, and an interviewer who has spoken to Brian May, Jimmy Page, Ozzy Osbourne, Ronnie Wood, Dave Grohl, Marilyn Manson, Kiefer Sutherland and many more.

