Stephen Dalton
Stephen Dalton has been writing about all things rock for more than 30 years, starting in the late Eighties at the New Musical Express (RIP) when it was still an annoyingly pompous analogue weekly paper printed on dead trees and sold in actual physical shops. For the last decade or so he has been a regular contributor to Classic Rock magazine. He has also written about music and film for Uncut, Vox, Prog, The Quietus, Electronic Sound, Rolling Stone, The Times, The London Evening Standard, Wallpaper, The Film Verdict, Sight and Sound, The Hollywood Reporter and others, including some even more disreputable publications.
Latest articles by Stephen Dalton

By Stephen Dalton Published
Six decades in, Queen’s indefatigable drummer Roger Taylor has released his politically charged seventh solo album, Violence Insane In A Beautiful World

By Stephen Dalton Published
Tom Cruise’s new movie Digger has split the critics - but it’s got nothing on Rock Of Ages

By Classic Rock Magazine Published
The sound of a bunch of scrappy youths from Scotland's industrial heartland

By Stephen Dalton Published
The Wow! Signal is Muse at their sharpest, eclectic and energised, but low on the bloat and bombast that sometimes marred previous albums

By Stephen Dalton Published
Squeeze joined the dots between The Beatles, punk and kitchen sink dramas

By Stephen Dalton Published
Bob Mould spent much of 1991 on punishing tours in a bid to salvage his ailing career - then came the song that showed him the way forward

By Stephen Dalton Published
How Bob Mould wrote Sugar’s classic 1992 grunge-era anthem Hoover Dam

By Classic Rock Magazine Published
The Purple Rain movie may have been a polished turd of soapy melodrama, but it – and the brilliant soundtrack – transformed Prince into a towering icon of the video age

By Stephen Dalton Published
Celebrating its 40th anniversary, Freddie's solo debut remains flawed but sporadically glorious.

By Stephen Dalton Published
Celebrating its 40th anniversary, Freddie's solo debut remains flawed but sporadically glorious.

By Stephen Dalton Published
Veteran Brit-rockers Skunk Anansie defy challenging times with ambitious midlife reboot The Painful Truth

By Stephen Dalton Published
Buying guide The Cure have gone from sullen outsiders to stadium-sized riff monsters via all points in between

By Stephen Dalton Published
Sex, drugs and hanging out with former members of Led Zeppelin – The Mission proved goth was anything but doom and gloom

By Stephen Dalton Published
Retro-rocking duo The Courettes amp up their more romantic side to great effect

By Stephen Dalton Published
Talking Heads' seminal concert film soundtrack Stop Making Sense, expanded and repackaged

By Stephen Dalton Published
Britpop's favourite grumpy uncle channels Bowie, Bacharach and Blur on 17th solo album

By Stephen Dalton Published
10 essential pop-punk classics from the band who wrote the book

By Stephen Dalton Published
Radiohead's breakaway trio The Smile return with psychedelic sambas and rule-bending jazz rock

By Stephen Dalton Published
Before his death, Joe Strummer could hardly get arrested. After, he was feted as a rock icon. This is the inside story of the solo years of a punk rock warlord

By Stephen Dalton Published
Country queen Dolly Parton rocks out with McCartney, Halford, Tyler, Jett and a cast of thousands

By Stephen Dalton Published
From The Man Who Fell To Earth to The Hunger, this is the best of David Bowie on the big screen

By Stephen Dalton Published
The Mael brothers cement their autumnal resurgence with The Girl Is Crying In Her Latte, a strong return to their former UK label

By Stephen Dalton Published
A post-Fletch Depeche Mode channel grief into deluxe autumnal electro-blues on fifteenth studio album Memento Mori
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