Rich Wilson

In 2011, while trying to find homes for his enormous collection of Dream Theater drumkits, Mike Portnoy was planning a new direction with Flying Colors, Adrenaline Mob, PSMS and Transatlantic

An Alex Lifeson track worthy of an alternative mix, a digital reunion of former Jethro Tull members and a delightful solo from Peter Frampton colour Chris Herin’s solo album Hiding In Plain Sight

Co-founding drummer discusses how easy 16th album Parasomnia came together, his sadness when he thought a reunion might not happen, and how he’s not quite the control freak some people think he is

Keyboard master – who took the plunge and played guitar on his new solo album – on his decision to lay aside some of the crazy and create a song-based work

Jon Courtney had to deal with writer’s block and line-up issues before securing Pink Floyd collaborator Guy Pratt for new album Coming Up To Consciousness

11 songs from the era when the charismatic Scotsman and Aylesbury's finest prog adventurers defined a musical identity that defied dismissal

Stubbornly starting out with rock operas in the grunge era, he’s managed to secure guest spots from James LaBrie, Fish, Mikael Akerfeldt and others – but he still regrets the ones who got away

Former The Eden House vocalist was determined to be brutally honest about herself on Netherworld, with assistance from Jakko Jakszyk and Ian Anderson

In anticipation of the drummer’s appearance on their 16th album, we present a list that many thought would never be added to

Guitarist Bjørn Riis says their new concept album grew with the benefit of no record label deadline – but that it was still important to set their own completion date

Two years after the release of her solo debut, Ms Amy Birks is back with In Our Souls.

Acclaim for the self-titled debut from 3’s Robert Berry, Saga’s Ian Crichton and Saxon’s Nigel Glockler was so great that the supergroup worried about letting down their fans – and themselves – with the follow-up

Collapse of their promising previous band left them with new songs but no one to play them… but younger musicians gave debut album Insanium an injection of new energy

After veering too close to becoming a “new Pink Floyd,” their seventh album was a key moment in their development through psychedelia, classic prog, krautrock and pop rock to the truly progressive sound they made their own

Maybe he could have spent his career working with Pink Floyd. Maybe he could have toured more. But he’s proud with his labours in the Alan Parsons Project

Latest album It Leads To This is the 15th studio album from Bruce Soord’s band – but he argues it’s really only their fourth, and that it hides a positive message

Pendragon's Nick Barrett and Peter Gee discuss the band's gritty new album Passion

When Neal Morse, Mike Portnoy, Steve Morse, Dave LaRue and Casey McPherson went to work, they hoped they were creating something that would last. As it turned out, they were

Three years after the release of The Rules Have Changed, Robert Berry revisited the music he made with Keith Emerson for a brand new recording, Third Impression

You’ll hear Shaun Holton in place of Danny Lopresto, while mastermind Sean Timms has taken a different approach to writing… good or bad, their third album truly is Another World

Ex-This Winter Machine members regroup for neo-prog inspired project Ghost Of The Machine

With an armful of new tunes and their current line-up fully ensconced, Solstice guitarist Andy Glass discusses creative freedom, the joy of playing live and finding the motivation to keep carrying on.

When Dream And Day Unite undeniably lacks finesse, polish and songwriting maturity - but their only record with Charlie Dominici is loaded with thrills