
Carol Clerk
Carol Clerk wrote extensively for Melody Maker in the 80s and 90s, and then for Uncut and Classic Rock. In 1985 she won a journalist of the year award from the Professional Publishers Association for her coverage of the Live Aid concert at Wembley. She ghostwrote gangster Reggie Kray's autobiography and was the author of books about Madonna, the Pogues, Hawkind and others, as well as Vintage Tattoos: The Book of Old-School Skin Art. She died in March 2010.
Latest articles by Carol Clerk

Wild times on the road on Rory Gallagher's most iconic tour
By Carol Clerk published
Known for his musical integrity and down-to-earth approach, Rory Gallagher was the workingman's guitarist, and Irish Tour '74 his defining statement

The growing pains and artistic rebirth of Billy Idol
By Carol Clerk published
Twenty years on from Rebel Yell and 10 years after overdosing on crack, Billy came back in 2005 with a trademark sneer and an album that did what he does best

The Gospel according to Alice Cooper: Snakes, guns, alcohol and Bible study
By Carol Clerk published
After decades in the business of rock'n'roll, this is the Gospel according to Alice Cooper

The psychedelic early days of acid overlords and space travellers Hawkwind
By Carol Clerk published
Leading lights of the UK's psychedelic revolution, Hawkwind's early days were a fug of good trips, bad trips, free-form chaos and dancing gazelles

How the Rolling Stones married sex, blues and rock’n’roll and launched themselves to notoriety
By Carol Clerk published
The story of the exhilarating early ’60s birth of the Rolling Stones

"I went out expecting to see Kiss at Hammersmith Odeon and instead spent the evening in a pub with Bon Scott and Angus Young": An AC/DC story
By Carol Clerk published
When AC/DC headed off on their Lock Up Your Daughters Tour in the summer of 1976, a future Classic Rock writer was there every step of the way

"She was a much more joyful, humorous, entertaining, alert kind of person than is generally described": The epic story of the real Janis Joplin
By Carol Clerk published
A look back at the career of the First Lady of rock, a short career marked by extraordinary music, terminal insecurity and the search for happiness

How Billy Idol turned a song of crazed vengeance into the hit that made him a star
By Carol Clerk published
From going nowhere in London with Generation X, to pop star and transatlantic hits, all it took Billy Idol was 15 minutes in a studio, and his sister getting pregnant

The story behind Eloise by The Damned
By Carol Clerk published
A premonition? A hunch? Destiny? In The Damned’s first ever interview, they said they wanted to cover the highly unlikely Eloise. Ten years later it gave them their biggest ever hit

The story behind the song: Dear Prudence by Siouxsie And The Banshees
By Carol Clerk last updated
Originally a Beatles song on the White Album, the Banshees’ version passed that important cover acid-test: "Quite a lot of people thought Dear Prudence was our original,” says Siouxsie

Robert Plant and Alison Krauss - Raising Sand review
By Carol Clerk published
In which Robert Plant finds direction with a startling collaboration with Union Station singer Alison Krauss

The Who: from purple hearts to power chords
By Carol Clerk published
How The Who threw away their mod trappings and became the voice of a whole new rock g-g-generation

Uriah Heep, Splodgenessabounds, and the most ridiculous prank in festival history
By Carol Clerk published
While Jim was fixing it for Uriah Heep fan Martin, it was actually Max Splodge who was really fixing it for Heep. Confused? Read on...
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