Marillion

How Clutching At Straws broke Marillion and Fish apart

By Dave Everley published 20 January 26

Their fourth studio album came at a point of high tension. Instead of taking the break they needed, they were sent back into the studio. It took decades to resolve the issues that blew up

Steve Hogarth on creative risks, bad advice, and his first 30 years with Marillion

By David West published 2 January 26

Marillion's Steve Hogarth discusses embracing artistic tension, avoiding the well-trodden path, escaping his narcissism, and what really went wrong with the record industry

“I even had them working on Christmas Day!” Marillion producer aimed to make the perfect album. He didn’t.

By Malcolm Dome published 25 December 25

He made the move from punk to prog in the early 80s, but it didn’t last

Debate: “They were never the same after…” What’s the most seismic line-up change in prog history?

By Martin Kielty published 16 December 25

From Yes and Pink Floyd to Dream Theater and Queensryche, most bands have experienced personnel issues over the years. Which change was the best, and which was the worst?

“I said we shouldn’t do Another Brick In The Wall at the school fête”: Slow Horses showrunner Will Smith’s record collection

By Jo Kendall published 14 December 25

Stand-up, actor, novelist and producer Will Smith on how much Marillion means to him, the four lines of Jon Anderson lyrics that bring him to tears, his favourite Vangelis soundtrack and his claim that Dire Straits are a prog band

What members of Marillion, Dream Theater, Asia and more think of Yes’ Tales From Topographic Oceans

By Sid Smith published 6 November 25

It was the double-album that split critics, fans and the line-up who recorded it. We asked a range of prog stars for their thoughts on the 1973 release