Caravan
Latest about Caravan

How Caravan’s In The Land Of Grey And Pink became an unheralded prog classic
By Paul Henderson published
The leading lights of the Canterbury Scene’s third album is a genuine masterpiece – but pitifully few people heard about it on its arrival

Richard Sinclair’s Canterbury scene with Caravan, Hatfield And The North, Camel and others
By Mike Barnes published
He shares memories of Pye Hastings, Robert Wyatt, Kevin Ayers, Andy Latimer and many other collaborators from his rich heritage, soon to be include with his long, long awaited debut solo album

Inside the weird and wonderful world of The Canterbury Scene
By Paul Moody published
Soft Machine, Caravan, Gong, Hatfield And The North - how a small town in England changed progressive music forever

Caravan’s Pye Hastings planned his solo debut 44 years before it happened
By Malcolm Dome published
As his band reached its 50th anniversary, the Canterbury veteran still worried if going solo with From The Half House was the right thing to do

The need to deceive loved ones inspired Caravan’s Paradise Filter
By Malcolm Dome published
Canterbury pioneers’ 14th album was surprisingly lacking in their traditional Ealing Studios views of England, containing more serious observations on modern life instead

“Another very good year”: Ring The Bells And Sing – Progressive Sounds Of 1975 box set
By Chris Roberts published
With Yes and Genesis between albums, Camel, Renaissance, Gentle Giant, Be Bop Deluxe, Soft Machine, Steve Hillage and Steve Hackett were among those proved here to be keeping the quality high

The maverick attitude that built Decca’s offshoot Deram into a label that pioneered prog
By Mike Barnes published
Pye Hastings, Davy O’List and others recall the company that aimed for an audience of “groovy people” and backed The Moody Blues, Caravan, The Move, Camel, Procol Harum and others

Deram (and Decca) celebrated in Psych! British Prog, Rock, Folk & Blues box set
By Joe Banks published
A sprawling 3CD / 2LP retrospective of Britain’s first “groovy” record label
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