You can trust Louder
For those of us with kaleidoscope eyes, it’s something of a boom time. Thanks to Tame Impala, Ty Segall, Temples, Goat et al bobbing their prismatic noggins over rock’s parapet, the modern psychedelic underground has begun to mushroom again (ahem) beyond a grimy niche.
In the US, John Dwyer has been toiling at a particularly noisy seam for around two decades, leading groups who blow musical minds for a living, such as Thee Oh Sees.
Nine albums along, his home experiment recording project turned full-band live maelstrom is now benefiting from some studio attention. And on Mutilator… their trademark full-tilt Nuggets grind remains intact, excelling on the windswept licks of the trashy Withered Hand and RoguePlanet’s almost goth-punk assault.
Opener Web dips into the arty clatter of Damo Suzuki’s Can, penetrated by some evil guitar work that Keith Levene could cook up, before a frantic, fuzzed-out finish. But Dwyer’s garage-wailin’ blueprint has expanded: Turned Out Light goes a bit Howlin’ Rain with its country-fuzz bounce and Holy Smoke’s arpeggiating acid-folk skips along in double time.
It’s redressed by Poor Queen’s trebly whipalong and a sultry, progged-out Sticky Hulks, amounting to a rather fine rock record indeed./o:p
Jo is a journalist, podcaster, event host and music industry lecturer who joined Kerrang! in 1999 and then the dark side – Prog – a decade later as Deputy Editor. Jo's had tea with Robert Fripp, touched Ian Anderson's favourite flute (!) and asked Suzi Quatro what one wears under a leather catsuit. Jo is now Associate Editor of Prog, and a regular contributor to Classic Rock. She continues to spread the experimental and psychedelic music-based word amid unsuspecting students at BIMM Institute London and can be occasionally heard polluting the BBC Radio airwaves as a pop and rock pundit. Steven Wilson still owes her £3, which he borrowed to pay for parking before a King Crimson show in Aylesbury.