Radio Moscow: The Great Escape Of Leslie Magnafuzz

Black Keys-endorsed psych-blues duo kick out the jams again.

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Radio Moscow are in a bit of a spot. Since their eponymous 2007 debut they have continually been tarred with the ‘I can’t believe it’s not Blue Cheer’ brush, proving how difficult it is for a band with retro ideals to be heard subjectively.

The point is that RM don’t exist to break new ground, and the artists they reference – Hendrix, Cream, Groundhogs, Iron Butterfly, Jeff Beck Group – are actually done justice by the duo’s talent and passion.

So here we are with album number three, another wild ride. The band’s vintage partiality makes opener Little Eye and follow-up No Time a frantic, fuzz-flanged one-two; later, Creepin’ tips its hat to former producer/mentor Dan Auerbach’s Black Keys project and solo output. The sparse, tribal groove of Densaflorativa leads the final charge to a punchy outro with I Don’t Need Nobody and Misleading Me.

If fellow period-plunderers Graveyard, White Denim and Rival Sons can catch a break and be deemed relevant in their own right, Radio Moscow may deserve one too.

Jo Kendall

Jo is a journalist, podcaster, event host and music industry lecturer who joined Kerrang! in 1999 and then the dark side – Prog – a decade later as Deputy Editor. Jo's had tea with Robert Fripp, touched Ian Anderson's favourite flute (!) and asked Suzi Quatro what one wears under a leather catsuit. Jo is now Associate Editor of Prog, and a regular contributor to Classic Rock. She continues to spread the experimental and psychedelic music-based word amid unsuspecting students at BIMM Institute London and can be occasionally heard polluting the BBC Radio airwaves as a pop and rock pundit. Steven Wilson still owes her £3, which he borrowed to pay for parking before a King Crimson show in Aylesbury.