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Michael Schenker - A Decade Of The Mad Axeman album review

The guitar genius shines strongly

Cover art for Michael Schenker - A Decade Of The Mad Axeman

There will be few people who would rank guitarist Michael Schenker’s output in the 10 years from 2006 as even coming close to matching what he achieved with UFO and MSG in the 70s and 80s. However, as this two-CD compilation proves, the music he has made in the 21st-century is far from disastrous.

The first CD is taken from a period that saw him release the undervalued MSG album The Midst Of Beauty, for which he reunited with vocalist Gary Barden, with whom he recorded much of the most celebrated MSG material. And the combination worked very well on songs like I Want You and Night To Remember. Less impressive, though, are the Temple Of Rock tracks, taken from the three albums released between 2011 and 2015. Although they don’t really live up to expectations, Doogie White’s singing is confident and competent, and the onetime Scorpions rhythm section of drummer Herman Rarebell and bassist Francis Buchholz adds a certain lustre. Even when the overall quality of the songs is a little below par, Schenker still proves himself to be spellbindingly creative on guitar, adding his own unique flavours to the sound.

The second CD is live, and comes from five shows between 2010 and 2016, including performances in Tokyo, London and Madrid. This is where things really take off, because they have energy, power and passion. Although different line-ups are involved, everyone is clearly committed to the songs and delivers at the top of their game. The spread of songs runs the gamut of Schenker’s illustrious career to date, and includes classics from UFO (Doctor Doctor, Lights Out, Rock Bottom) and MSG (Armed And Ready, Attack Of The Mad Axeman, Desert Song). There’s even a nod to the Scorpions with the inclusion of Rock You Like A Hurricane, although this is more about Rarebell and Buchholz, as Michael had nothing to do with the recording of the Scorpions’ mega hit. There’s bite and delight to these live recordings, and the main man himself is inspired throughout. The tracks from London (2011’s High Voltage Festival) and Tokyo (2010 and 2016) are the high points here.

Overall this collection is not vintage Schenker, but there’s still a lot to commend, and it’s a good reminder of his enduring brilliance.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.