You can trust Louder
If you missed 2012’s exuberant 3D SOFTWAREmark” gingersoftwareuiphraseguid=“a3d7c48d-480b-4fae-ba14-a48ad216976a” id=“7c0c8e86-2527-4023-9baa-b56c4de90c27”>SOFTWAREmark” gingersoftwareuiphraseguid=“904833db-9a9a-4107-850d-8879f1e4249e” id=“b5489ee8-c472-4f07-8ae4-c635a1fb9856”>Opera Whale, head to Bandcamp to prep for the newbies from these art-math-pronksters. Cardiacs are your starting point in a mad world of rogue woodwinds, strings, cyclonic drums and falsetto vocals. Coombe Dean might offer supine respite but Robocop Sunset and Invisible Children are the musical tartrazine to get you up and at the throat of the day.
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Jo is a journalist, podcaster, event host and music industry lecturer who joined Kerrang! in 1999 and then the dark side – Prog – a decade later as Deputy Editor. Jo's had tea with Robert Fripp, touched Ian Anderson's favourite flute (!) and asked Suzi Quatro what one wears under a leather catsuit. Jo is now Associate Editor of Prog, and a regular contributor to Classic Rock. She continues to spread the experimental and psychedelic music-based word amid unsuspecting students at BIMM Institute London and can be occasionally heard polluting the BBC Radio airwaves as a pop and rock pundit. Steven Wilson still owes her £3, which he borrowed to pay for parking before a King Crimson show in Aylesbury.