The first reaction to Behemoth’s new song God = Dog
Behemoth have released their first new music in four years with God = Dog, but is it any good?
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Well, here we are. After weeks of teasing, controversial images and a marketing campaign that required you to recite a prayer into your microphone, Polish blackened death metal heavyweights Behemoth have unleashed their first new song since The Satanist album in 2014 AND IT IS A BEAST.
Speaking previously, Nergal has said that the new album I Loved You At Your Darkest is “going to be a different record, a different approach,” but judging by new track God = Dog, that approach is one of hellacious heaviness and untamed aggression.
Although the song’s title is reminiscent of Neil’s inspirational speech in The Inbetweeners Movie, it sounds much more like a Satanic horror. Opening on an ominous intro, the music builds and swells, creating a sense of dread and fear of which the Poles have become masters. The pummelling percussion and black metal extremity is hellish, creating such a ferocious and dark soundscape – this is exactly what Behemoth fans want to hear.
You feel dirty and evil just listening to it. Nergal’s guttural growls and barks are among the most savage we’ve ever heard, and the inclusion of choral chanting just boosts the religious connotations within the song and no doubt the album as a whole (the picture of Nergal being crucified isn’t exactly subtle). But it’s the addition of children’s voices that make it sound profoundly wicked, like we’re bearing witness to the corruption of innocence.
It’s no secret that Behemoth aren’t that fond of Christianity, and God = Dog feels like a direct descendent of The Satanist, perhaps one that’s more riled up than before – like a black metal Scrappy-Doo.
The song climaxes with Nergal barking the Behemoth prayer fans were asked to read earlier this week – ‘Living God, I shall not forgive, Jesus Christ, I forgive the not’. A lovely little sing along.
In short, this is a triumph for Behemoth. It shows that the band can not only live up to expectations, but they can punt those doubters into the centre of the sun.
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Luke Morton joined Metal Hammer as Online Editor in 2014, having previously worked as News Editor at popular (but now sadly defunct) alternative lifestyle magazine, Front. As well as helming the Metal Hammer website for the four years that followed, Luke also helped relaunch the Metal Hammer podcast in early 2018, producing, scripting and presenting the relaunched show during its early days. He also wrote regular features for the magazine, including a 2018 cover feature for his very favourite band in the world, Slipknot, discussing their turbulent 2008 album, All Hope Is Gone.
