
Sid Smith
Sid's feature articles and reviews have appeared in numerous publications including Prog, Classic Rock, Record Collector, Q, Mojo and Uncut.
A full-time freelance writer with hundreds of sleevenotes and essays for both indie and major record labels to his credit, his book, In The Court Of King Crimson, an acclaimed biography of King Crimson, was substantially revised and expanded in 2019 to coincide with the band’s 50th Anniversary. Alongside appearances on radio and TV, he has lectured on jazz and progressive music in the UK and Europe.
A resident of Whitley Bay in north-east England, he spends far too much time posting photographs of LPs he's listening to on Twitter and Facebook.
Latest articles by Sid Smith

"Behind those dark glasses and unsmiling visage, he presented an inscrutable presence." Soft Machine's Mike Ratledge remembered
By Sid Smith published
Prog writer Sid Smith pays tribute to the former Soft Machine founder and keyboard player Mike Ratledge, who sadly died after a short illness, aged 81

“These pieces aren’t so much produced as dramatised”: Soft Machine’s Softs vinyl remaster
By Sid Smith published
John Etheridge’s arrival adds a harder, defined edge to the band’s 1976 album

“Manifesting grief too terrible for words”: David Crosby’s solo debut carries prog credentials
By Sid Smith published
If I Could Only Remember My Name, created during a challenging time in the folk rock icon’s life, demonstrated joy in artistic freedom as he pushed boundaries to prove his uniqueness

Dave Cousins’ life with Strawbs, Rick Wakeman, Sandy Denny and Led Zeppelin
By Sid Smith published
Prog veteran recalls connecting with Sandy Denny, his band’s attempt to fire him, being loved by Led Zeppelin, why they’ve never had a Steven Wilson remix, the “albatross” of Part Of The Union and the unreleased, more political version

“We’d play cards on stage. Ian had no clue”: Ex Jethro Tull members share favourite moments
By Sid Smith published
Mick Abrahams, Clive Bunker, Jeffrey Hammond, Peter John Vettese and Tony Iommi recall what they learned from – or what they did to – band leader Ian Anderson

Ben Short saved a Stravinsky album from a skip, and A Formal Horse was the result
By Sid Smith published
The avant-rockers released debut album Here Comes A Man From The Council With A Flamethrower in 2019, when their guitarist-vocalist told Prog how they took their time and finally got there

How Yes struggled then scored with 1974 album Relayer, in their own words
By Sid Smith published
The band suffered a few false starts before delivering a triumph with a daring album that explored a new kind of energy

Elephant9’s Mythical River has tributaries including ELP, John Paul Jones and coffee
By Sid Smith published
Latest album Mythical River has artistic tributaries including John Paul Jones, Motorpsycho, Hedvig Mollestad Trio, Dungen, Red Kite – and also coffee

Kevin Ayers’ All This Crazy Gift Of Time box set is a delight - especially the live sets
By Sid Smith published
Lavish 10-disc package celebrates the Canterbury legend, with hard work done to deliver contemporary commentary and revitalize his 1970 Hyde Park show

“Curiously retro, these tunes are mostly short and to the point”: Steve Howe’s Guitarscape
By Sid Smith published
Inspired by a new synth, the Yes veteran has created something of a taster showreel in his latest outing with son Dylan

The radical neutrality that gave birth to King Crimson’s Red
By Sid Smith published
Robert Fripp, Bill Bruford, John Wetton and guests struggled to deliver the 1974 album that, for many years, remained severely underrated

The Power And The Glory signalled the beginning of the end for Gentle Giant
By Sid Smith published
They’d reasserted themselves after a line-up change and enjoyed the results – but the surprisingly polarised response to their sixth album led them to start second-guessing their own work.

The best King Crimson songs of the 1970s
By Sid Smith published
They were only around for half of the decade before splitting – but left an indelible mark with six albums of bold, visionary work

King Crimson’s tortuous journey through fourth album Islands – and its 30-year fallout
By Sid Smith published
How King Crimson fractured, regrouped and fractured again as they made 1971 album Islands

“Robert Fripp listened to us in the bath, so we asked him to play”: Dave Bainbridge on Iona
By Sid Smith published
Guitarist, keyboardist, Strawbs and Lifesigns member on splitting with Troy Donockley, guilty pleasures with a Minimoog, and why ‘Christian rock’ label was inaccurate

When Andy Mackay took Roxy Music tracks on a new journey
By Sid Smith published
The Roxy Music saxophonist reflects back on an eclectic career...

“Qualities of grandeur come across as unpretentious and grounded”: Remembering Sandy Denny
By Sid Smith published
Tragically silenced at 31, she only had a decade to demonstrate her talents – but her persona and performances remain indelible after more than 40 years

How No-Man learned to confound their expectations without offending each other
By Sid Smith published
Tim Bowness and Steven Wilson’s mutual respect and passion has kept their art-pop collaboration alive – despite the constant distractions of their other projects

‘Flamenco motifs, fancy footwork and an over-the-top macho swagger”: Carmen’s The Albums
By Sid Smith published
Three-disc retrospective illustrates the promise of a mid-70s band supported by David Bowie and Tony Visconti

“Robert decides what to do and Fripp has to go and do it”: How to survive King Crimson
By Sid Smith published
Serious leader of a prog behemoth, hugely influential guitarist, half of the Toyah & Robert party band… who is the real Robert Fripp? He offers some tantalising hints

Phil Manzanera knew Roxy Music were going to make it when they made debut album for £5,000
By Sid Smith published
Guitarist who failed his first audition recalls making 1972 debut album for just £5,000

Obsessive attention to detail has always been Eddie Jobson’s superpower
By Sid Smith published
From a backstage performance for Curved Air to being dragged onstage by Frank Zappa and out-complicating King Crimson, the UK violinist has managed to ignore distractions from making music

"All of a sudden we play at blinding speed and unbearable intensity, and everyone starts to take notice and stand up": How King Crimson got started
By Sid Smith published
Recorded in just 10 days in 1969, King Crimson’s iconic In The Court Of The Crimson King has been called “the true point at which progressive rock was born”. We look at the making of a landmark album

“When I drank, I was going to be the best drinker in the bar, or take the most drugs or whatever. When I did give up the drink I was going to be the best at that:” The bottom-end drive that made Danny Thompson’s name
By Sid Smith published
Rejecting criticism from those who wondered why he bothered playing folk music, the always-in-demand bassist’s attitude led to experiences with John Martyn, Kate Bush, David Sylvian, Tim Buckley and many others

“One doesn’t so much listen as feel it deep in the bones… their stark inventiveness and originality remain outstanding”: Van der Graaf Generator’s Still Life and Vital reissues
By Sid Smith published
1976 studio album and 1978 live double album return from era of new momentum for Peter Hammill and co
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