
Rob Hughes
Freelance writer for Classic Rock since 2008, and sister title Prog since its inception in 2009. Regular contributor to Uncut magazine for over 20 years. Other clients include Word magazine, Record Collector, The Guardian, Sunday Times, The Telegraph and When Saturday Comes. Alongside Marc Riley, co-presenter of long-running A-Z Of David Bowie podcast. Also appears twice a week on Riley’s BBC6 radio show, rifling through old copies of the NME and Melody Maker in the Parallel Universe slot. Designed Aston Villa’s kit during a previous life as a sportswear designer. Geezer Butler told him he loved the all-black away strip.
Latest articles by Rob Hughes

How The Damned took four days and lots of cider to kickstart a revolution
By Rob Hughes published
The Sex Pistols may have got all the headlines and The Clash the critical acclaim, but The Damned trumped them all

The Captain Beefheart albums you should definitely listen to
By Rob Hughes published
Captain Beefheart was an eccentric but hugely influential artist tortured by his failure to break into the mainstream. These are his best albums

Mick Taylor on life in the Rolling Stones, Altamont and leaving the band
By Rob Hughes published
The Rolling Stones’ secret weapon throughout their golden period looks back on his time with the band

Roy Harper’s Stormcock: a primer for revolutionary thinking that remains relevant
By Rob Hughes published
His four-track concept rock masterpiece is a primer for revolutionary thinking that’s as relevant now as it was in 1971

“Documents a clamorous creative peak”: Edgar Broughton Band’s Gone Blue – The BBC Sessions
By Rob Hughes published
Four-CD collection covers the period 1967-73, including 32 unreleased tracks

Tom Morello is a Star Trek nerd and proud of it
By Rob Hughes published
Tom Morello might be Mr Politics, but the Rage Against The Machine guitarist is proud to fly the geek flag

The 10 most underrated Pete Townshend songs
By Rob Hughes published
From The Who’s forgotten singles to unsung solo gems, these are 10 classic Pete Townshend songs you’ll never hear on CSI

Sheryl Crow on a lifetime of battles, triumphs, hardships and hopes
By Rob Hughes published
As Sheryl Crow airs her most socially charged songs yet on new album Evolution, she looks back on her long and winding road

Graham Bond thought he was the son of Aleister Crowley. He was also one of the most influential musicians of the 1960s
By Rob Hughes published
Graham Bond told people he was the son of Aleister Crowley. His life was blighted by drugs. And on May 8, 1974, he died under a train in North London

Blazing Apostles: How Bill Nelson built up then broke up Be-Bop Deluxe
By Rob Hughes published
Bill Nelson on Jimi Hendrix, Lynyrd Skynyrd, and the brilliant five-album career of art-rockers Be-Bop Deluxe

The Waterboys song Mike Scott wrote to prove how easy it was to write songs
By Rob Hughes published
A song whose key line its writer Mike Scott says “floated into my mind as if by magic”, it's still The Waterboys’ signature track and a magic moment live

The Pete Townshend song that savaged a pair of music writers
By Rob Hughes published
Written in response to two journalists who said it was good that Keith Moon was dead, it's one of rock’s most spiteful songs

That time Carlos Santana recorded an album of classic rock covers including songs by AC/DC and Led Zeppelin
By Rob Hughes published
You’ve got to have big balls to do an album of covers of songs from rock’s crown jewels. Or be totally bonkers

Moby Grape, Oar, and the wild genius of Skip Spence
By Rob Hughes published
Moby Grape co-founder Skip Spence wrote his album Oar in a psychiatric ward after threatening his bandmates with an axe. Years after his death, artists still acknowledge its influence

The Stranglers' albums you should definitely own
By Rob Hughes published
Too punk to be pop, too loads of other things to be punk, The Stranglers had dozens of hits by doing it their own, unique, way

The story of Poltergeist's 2013 album Your Mind is a Box (Let Us Fill It With Wonder)
By Rob Hughes published
The story of Poltergeist's 2013 album Your Mind is a Box (Let Us Fill It With Wonder)

"We'd play small islands on the west coast of Scotland rather than stadiums": Echo & The Bunnymen wouldn't play the game, but that didn't stop them from creating "the greatest song of all time"
By Rob Hughes published
Echo & The Bunnymen's Ocean Rain divided opinion upon release in 1984, but time has only deepened its supernatural beauty

“Robert Fripp played the solo and we didn’t like it. He said, ‘You’re wrong.’ Steven Wilson said, ‘This is how wrong we are,’ and deleted it”: How No-Man prospered by refusing to ever fit in
By Rob Hughes published
Housekeeping box set illustrates that when Tim Bowness and Wilson refused to compromise, it was a strength rather than a weakness – even if one of them couldn’t listen to their early work for 20 years

R.E.M.'s Reckoning: raw, mysterious and strangely melodic, refracting their influences through a murky Southern prism
By Rob Hughes published
How the melodic sophistication of R.E.M.'s second album Reckoning served as a pre-echo of their 90s success

“I don’t know that much about folk music, except that most of it bores me to tears”: the incredible life of Michael Chapman, the greatest singer-songwriter the world never knew about
By Rob Hughes published
The life and times of Michael Chapman, the cult singer and guitarist beloved of David Bowie, Elton John and Sonic Youth

Recorded in the wake of tragedy, The Pretenders' Learning To Crawl was an indestructible triumph of sheer will
By Rob Hughes published
Named in honour of Chrissie Hynde’s baby daughter Natalie, Learning To Crawl was also an applicable metaphor for Pretenders 2.0

Taylor McCall studied wildlife management at university: Now he writes deeply personal songs inspired by the Vietnam War and tours with Robert Plant
By Rob Hughes published
If acoustic hymns, weird gospel and “some real ripping guitar” floats your boat, climb aboard

“Certain people I knew from the scene wouldn’t speak to me after I got a hit. But it’s all music… I just had a great time”: Brian Auger warned Jimi Hendrix off drugs and learned what prog was from Keith Emerson
By Rob Hughes published
Multi-genre organ master’s fervent hope is that he opened a channel between rock and jazz: ”And it kind of worked out…”
Select the newsletters you’d like to receive. Then, add your email to sign up.