Overkill: Historikill 1995-2007

New Jersey thrashers celebrate their indie era

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

First things first: this 14-CD affair offers a surprisingly limited array of bonus material.

Any fan’s heart craves more than an eight-song disc dominated by demos and remixes, even though it’s nice to hear rare track Killogy and a cover of Johnny Cash’s Man In Black. Still, if you’re new to this era of one of the world’s finest metal bands, a shitload of fun awaits: seven studio records, two live, one best-of and a covers collection. What these albums may occasionally lack in song-by-song consistency compared to Overkill’s previous work for Atlantic Records, they make up for with sheer, independent bare-bones fire in the wake of their split with the major label.

1996’s crushing and vital The Killing Kind is one of the band’s best works, followed by the similarly powerful From The Underground And Below and Necroshine. Although a rare complacency takes hold at the turn of the millennium with Bloodletting, 2003’s Killbox 13 heralds a return to form, including one of Overkill’s all-time greatest tracks, Unholy.

By the time we reach this set’s final studio epic, 2007’s Immortalis, the band are truly firing on all cylinders. As an Overkill document, this is one mighty slab of middle-finger metal.

Jason Arnopp
Freelance Writer

Jason Arnopp is a veteran metal scribbler, with a passion for thrash metal, horror movies, vinyl and VHS. He's also the author of scary novels like The Last Days Of Jack Sparks (2016) and Ghoster (2019). Runs two YouTube channels, including Possessed By Metal. Guess what that one's about, eh?