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Michael Monroe - The Best album review

Thirty years of Monroe mania

Cover art for Michael Monroe - The Best album

While he will forever be known as Hanoi Rocks’ frontman, Michael Monroe has successfully created a solo career that for the past two decades has been pock-marked by some memorable moments. This aptly named compilation brings those neatly into focus.

Of course, attention will be drawn to the big songs, such as Dead, Jail Or Rock ‘N’ Roll, Not Fakin’ It, Self Destruction Blues (a Hanoi cover) and 78. And these clearly represent Monroe doing what he does best, which is delivering prime, trashy hard rock. There are also four songs from his undervalued and short-lived 90s band Demolition 23.

While all of this is worthwhile, and makes you appreciate what Monroe has done, the bonus tracks add an extra cachet to the collection. There’s an alternative take of Steppenwolf’s Magic Carpet Ride, which is sharper and sleazier than the original version done with Slash for the 1993 film Coneheads. The 1985 demo of It’s A Lie, featuring Dead Boys singer Stiv Bators, is a mournfully effective slow burner. There are also two out-takes from the 2015 album Blackout Stakes: Fist Fulla Dynamite and Simpletown, both of which are strong enough to have made that record in their own right. There’s also new song One Foot Outta The Grave, which shows that Monroe has lost none of his high-intensity capabilities.

Nobody would suggest that every track here is a gem, but the collection gives a good indication of what has made Monroe an enduring talent.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica (opens in new tab), published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio (opens in new tab), which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.