Five Of The Most Iconic Metallica Riffs
To riff is to die
Select the newsletters you’d like to receive. Then, add your email to sign up.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
Louder
Louder’s weekly newsletter is jam-packed with the team’s personal highlights from the last seven days, including features, breaking news, reviews and tons of juicy exclusives from the world of alternative music.
Every Friday
Classic Rock
The Classic Rock newsletter is an essential read for the discerning rock fan. Every week we bring you the news, reviews and the very best features and interviews from our extensive archive. Written by rock fans for rock fans.
Every Friday
Metal Hammer
For the last four decades Metal Hammer has been the world’s greatest metal magazine. Created by metalheads for metalheads, ‘Hammer takes you behind the scenes, closer to the action, and nearer to the bands that you love the most.
Every Friday
Prog
The Prog newsletter brings you the very best of Prog Magazine and our website, every Friday. We'll deliver you the very latest news from the Prog universe, informative features and archive material from Prog’s impressive vault.
Last week, Metallica's Creeping Death won our poll to find the Riff That Shook The World. But we couldn't leave it there, so here are five more of the best riffs the 'Tallica have given the world.
Seek And Destroy (Kill ‘Em All, 1983)
Before Ride The Lightning landed and redefined thrash before it had barely got off the ground, Metallica were throwing out timeless riff monsters such as this classic, set-ending standard.
Battery (Master Of Puppets, 1986)
A flirtatious bit of acoustic guitar? Some Maiden-esque twin harmonics? They’re pretty epic, but nothing can out-impact the beasty chuggathon of the riff that follows. Epic.
One (…And Justice For All, 1988)
Metallica can throw all the fire, smoke and lasers that they want ahead of this classic – One hinges on one thing and one thing only: that monstrous, mechanical midsection.
Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox!
Sad But True (Metallica, 1991)
Enter Sandman may be the hallmark, but Sad But True is as big a riff as they come: a slow, pounding beast of a riff fit to level buildings with. Fuck, it even made Kid Rock sound good.
Ain’t My Bitch (Load, 1996)
Quiet there at the back. Load may have its critics, but the fact of the matter is that bangers like this show that the Biggest Band In Metal know their way around a big, groovy hard rock riff.
Read all about the biggest and best riffs in metal in the new issue of Metal Hammer.
Founded in 1983, Metal Hammer is the global home of all things heavy. We have breaking news, exclusive interviews with the biggest bands and names in metal, rock, hardcore, grunge and beyond, expert reviews of the lastest releases and unrivalled insider access to metal's most exciting new scenes and movements. No matter what you're into – be it heavy metal, punk, hardcore, grunge, alternative, goth, industrial, djent or the stuff so bizarre it defies classification – you'll find it all here, backed by the best writers in our game.

