Features
Latest Features

When Keith Emerson tried to blag a £55,000 synth for free
By Martin Kielty Published
The keyboard genius’ relationship with engineer Robert Moog may have had a shaky start, but it paid dividends to both men – and countless followers

Why Mystery sound like Pink Floyd, Genesis and Marillion
By Malcolm Dome Published
Best known as Jon Anderson’s replacement in Yes, Benoît David rejoined the cult Canadian proggers to make the strongest album of their career

Greg Dulli looks back on 40 years of laying bare man's desires, duplicity and deviance with The Afghan Whigs
By Paul Brannigan Published
An audience with alternative rock's own Prince of Darkness

“He’d got rid of Lemmy and it was me next”: Civil war left Dave Brock as captain of Hawkwind
By Rob Hughes Published
He recalls not going to his own band’s gigs, his first acid experience, losing confidence in his playing, annoying druids at Stonehenge, who hit Ginger Baker with a pool cue, and the former member he wished would die (and did)

How The Who overcame internal strife to make their most poignant album
By Rob Hughes Published
By 1973 The Who were bored and angry – and Pete Townshend knew he had one last chance to hold the band together and unify them in the eyes of their fans

How Led Zeppelin created the impossible-to-copy rhythmic swing of Black Dog
By Niall Doherty Published
Often presumed to be inspired by Jimmy Page's fascination with the occult, Black Dog's origins were much more earthbound

Meet The Gnomes: Your new favourite Aussie garage rockers
By Julian Marszalek Published
Loved by the Viagra Boys, Melbourne's The Gnomes are ready for whatever hardship rock'n'roll requires

Call them what you like, but Chicago know they’re a prog band
By Malcolm Dome Published
One of the few groups to ever get away with releasing a double-album as a debut, they’d started out as a covers band who’d rebuild and extend every song they played
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