This is what Metallica’s One sounds like with everything played on bass
You’ll never complain about Metallica’s 1989 classic One having no bass again
Select the newsletters you’d like to receive. Then, add your email to sign up.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
Louder
Louder’s weekly newsletter is jam-packed with the team’s personal highlights from the last seven days, including features, breaking news, reviews and tons of juicy exclusives from the world of alternative music.
Every Friday
Classic Rock
The Classic Rock newsletter is an essential read for the discerning rock fan. Every week we bring you the news, reviews and the very best features and interviews from our extensive archive. Written by rock fans for rock fans.
Every Friday
Metal Hammer
For the last four decades Metal Hammer has been the world’s greatest metal magazine. Created by metalheads for metalheads, ‘Hammer takes you behind the scenes, closer to the action, and nearer to the bands that you love the most.
Every Friday
Prog
The Prog newsletter brings you the very best of Prog Magazine and our website, every Friday. We'll deliver you the very latest news from the Prog universe, informative features and archive material from Prog’s impressive vault.
If there’s one album that could do with more bass, it’s Metallica’s …And Justice For All. Hell, if there’s one album that could do with any four-string action at all, it’s that bass-free wonder.
Ever since the dawn of YouTube, people have been adding some rumble to songs from this low end-averse masterpiece like they’re the first people ever to think of doing it. But one man has gone one step further and re-recorded …Justice… centrepiece One on – wait for it – NOTHING BUT BASS!
That's right. YouTuber Mark Grocki has turned the 2nd greatest Metallica song of all (according to you lot) into a four-string fiesta. Rhythm, solos, melodies, even vocals – they’re all played on bass. And yes, the original’s non-existent bass is also played on bass. (Disclaimer: he hasn’t played the drums on bass. That would just be weird).
The results are unexpectedly great - check out the video below for proof. Then head over to Mark’s YouTube page to subscribe and show your appreciation.
Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox!
Dave Everley has been writing about and occasionally humming along to music since the early 90s. During that time, he has been Deputy Editor on Kerrang! and Classic Rock, Associate Editor on Q magazine and staff writer/tea boy on Raw, not necessarily in that order. He has written for Metal Hammer, Louder, Prog, the Observer, Select, Mojo, the Evening Standard and the totally legendary Ultrakill. He is still waiting for Billy Gibbons to send him a bottle of hot sauce he was promised several years ago.

