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George Thorogood - Party Of One album review

Delaware’s finest gives the Destroyers time off as he revisits his acoustic blues roots

Cover art for George Thorogood - Party Of One album

If George Thorogood is known for one thing – other than hammering out the slide-guitar riff to his now signature tune Bad To The Bone (a song he first unveiled when he opened for the Rolling Stones on their 198182 Still Life tour) on his Gibson ES-125 – it’s for four decades of electrifying meat-and potatoes blues with his band The Destroyers. So commemorating their 40th anniversary with a mostly unplugged solo album seems an odd choice. But Thorogood, whose professional career began in the early 1970s with him playing such solo acoustic sets, claims that this album was “long overdue”. Returning to Rounder Records, the Nashville label that launched The Destroyers in 1977, must therefore also make sense.

Party Of One opens with Robert Johnson’s I’m A Steady Rolling Man (a song that’s 80 years old yet here still sounds fresh as a daisy), and across 14 tracks (the CD adds a fifteenth) Thorogood pays homage to the songwriters who made him.

It’s a simple premise, and producer Jim Gaines (who worked on three Destroyers albums between 2003 and 2009 and also has credits with Stevie Ray Vaughan, John Lee Hooker and latterly Joanne Shaw Taylor) keeps it simple; only a smattering of songs feature noticeably double-tracked guitars, among them a cover of Bad News, originally on Johnny Cash’s I Walk The Line, and another country classic, Pictures From Life’s Other Side by Hank Williams.

It’s not entirely acoustic – Thorogood plays an electric guitar for the slide work on the opener, Elmore James’s Got To Move, and also a cover of John Hammond Jr’s Tallahassee Women – but mostly this sounds like one man on a stool cradling his guitar and pouring out his heart.

This works as superbly on the relative obscurity Born With The Blues, by Brownie McGhee, and the better-known Elmore James standard The Sky Is Crying on which the strings of his steel resonator guitar rattle like a snake.

In places Thorogood’s vocals are reduced to little more than spoken-word (as on the cover of the Stones’ No Expectations), rising to his trademark rasp only when it sounds like the albums sessions might have been gatecrashed by the Destroyers and he slaps out the rhythm on the guitar itself: Willie Dixon’s Wang Dang Doodle and the three John Lee Hooker songs Boogie Chillen, The Hookers (If You Miss ’softwareuiphraseguid=“9081e193-b031-42dd-aee8-48a6ce6d4e65”>Imsoftwareuiphraseguid=“9081e193-b031-42dd-aee8-48a6ce6d4e65”>…I Got ’softwareuiphraseguid=“9081e193-b031-42dd-aee8-48a6ce6d4e65”>Im) and One Bourbon, One Scotch, One Beer.

Only a fool would claim the last-named track tops The Destroyers’ barnstorming version, but only a killjoy would say Party Of One misses its target.